The Studio

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Maya Okafor@mayaokafor · 2h
Vessel No. 12 is on the wheel. Ash glaze mixed this morning — sharing every step before it joins the next drop. Tell me which lip you'd keep.Vessel No. 12 is on the wheel. Ash glaze mixed this morning — sharing every step before it joins the next drop. Tell me which lip you'd keep.In progress
Vessel No. 12 — coming soon

Vessel No. 12 is on the wheel. Ash glaze mixed this morning — sharing every step before it joins the next drop. Tell me which lip you'd keep.

#Ceramics#StillLife
Lena Aurelio@lenaaurelio · 5h
Studio film: thin layers, salt in the pigment, and why I paint the sea from memory. Long sit-down on process is up now.Studio film

Studio film: thin layers, salt in the pigment, and why I paint the sea from memory. Long sit-down on process is up now.

#Landscape#Abstract
Idris Hale@idrishale · 6h
Smoke Study No. 4 — first gather out of the furnace. The bronze goes in cold tomorrow. Following along? Save it.Smoke Study No. 4 — first gather out of the furnace. The bronze goes in cold tomorrow. Following along? Save it.In progress
Smoke Study No. 4 — coming soon

Smoke Study No. 4 — first gather out of the furnace. The bronze goes in cold tomorrow. Following along? Save it.

#Glass#Abstract
Cleo Vasquez@cleovasquez · 12h
Resin No. 23 — Midnight. Poured cold, set clean, edition of eight. One left at the studio.New work

Resin No. 23 — Midnight. Poured cold, set clean, edition of eight. One left at the studio.

#Resin#Abstract
Jules Chen@juleschen · 1d
Blocking in the afternoon light for a new interior study. Graphite first, charcoal last. This one's for the coming drop.In progress
Interior, 4pm — coming soon

Blocking in the afternoon light for a new interior study. Graphite first, charcoal last. This one's for the coming drop.

#Realism#StillLife
Noor Haddad@noorhaddad · 1d
The Empty Room — large-format film, printed and numbered. The subject is the negative space.New work

The Empty Room — large-format film, printed and numbered. The subject is the negative space.

#Photography#Abstract
Theo Marsh@theomarsh · 2d
Oak Stool No. 4 — salvaged oak, joinery dry-fit this week. Built to outlive the room. Progress shots as it comes together.In progress
Oak Stool No. 4 — coming soon

Oak Stool No. 4 — salvaged oak, joinery dry-fit this week. Built to outlive the room. Progress shots as it comes together.

#Furniture
Maya Okafor@mayaokafor · 3d
Vessel No. 7 — matte ash glaze, one of fifteen. The exterior holds light like unfired clay.New work

Vessel No. 7 — matte ash glaze, one of fifteen. The exterior holds light like unfired clay.

#Ceramics#StillLife
Cleo Vasquez@cleovasquez · 4d
Why I pour at midnight — a short studio film on getting the color to set cold and clean.Studio film

Why I pour at midnight — a short studio film on getting the color to set cold and clean.

#Resin
Idris Hale@idrishale · 5d
Untitled (Glass Study II) — one of nine, each one breathes differently. Now on the marketplace.New work

Untitled (Glass Study II) — one of nine, each one breathes differently. Now on the marketplace.

#Glass#Abstract
Lena Aurelio@lenaaurelio · 6d
A Letter to the Sea — oil on linen, painted from memory over weeks. An original; there is no second one.New work

A Letter to the Sea — oil on linen, painted from memory over weeks. An original; there is no second one.

#Landscape#Surrealism

Notes from the Studio

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